BONJOUR TRISTESSE






Latest articles from "The Stranger":

Welcome to Paradise (November 7, 2012)

Southern Surprises (November 7, 2012)

A Big Night for Gay Marriage-and for Equality (November 7, 2012)

WHAT'S CRAPPENING? (November 7, 2012)

WE WON!!! (November 7, 2012)

Languor and Clangor (November 7, 2012)

Time to Get Real, Jay Inslee (November 7, 2012)

Other interesting articles:

It's About That Time
IAJRC Journal (December 1, 2011)

The year in review
CANNT Journal (October 1, 2011)

The Life of Pauline Viardot: Her Influence on the Music and Musicians of Nineteenth Century Europe
Journal of Singing (January 1, 2011)

Merveilles et contes chez le duc de Saint-Simon
Marvels & Tales (July 1, 2011)

MARCHE GAIE: A REDISCOVERED WORK BY LILI BOULANGER
Music Library Association. Notes (June 1, 2012)

Valeurs et sentiments chez les adolescents : Comment avoir un dialogue qui favorise le respect mutuel ?
Canadian Journal of Education (April 1, 2012)

Le risque de décrochage scolaire et la participation à des activités parascolaires à l'école secondaire : effets médiateurs des symptômes dépressifs et des problèmes de comportement extériorisés
Canadian Journal of Education (April 1, 2012)

Publication: The Stranger
Author: Wagner, Annie
Date published: February 24, 2011

BONJOUR TRISTESSE

Adapted from exceedingly French source material (the incest and jealousy- ridden debut novel by 18-yearold Françoise Sagan), this 1957 Otto Preminger film loses a lot in the erratically globalized translation. Englishy Frenchman David Niven takes his mistress (ditzy Frenchie Mylène Demongeot) to the Riviera, with his physically demonstrative fille Cécile (corn-fed American Jean Seberg) in tow. A new wife (Deborah Kerr) displaces the mistress, and the young Cécile plots revenge. Seberg is hopeless in her second leading role post- Saint Joan. Button-cute and lacking an ounce of sensuality, she seems alternately way too old (she was only 20) and way too young for a role that should have, in theory, invited such ambiguity. Still, the Riviera sparkles in flashback Technicolor, and a morose mood seems to muddy the black-andwhite present (shot on color stock). Graced with a dolorous cameo from Saint-Germain-des-Prés chanteuse Juliette Gréco, Bonjour Tristesse is very watchable, despite its tonal flaws. (ANNIE WAGNER) Seattle Art Museum, Thurs Feb 24 at 7:30 pm.

The use of this website is subject to the following Terms of Use