Latest articles from "The Christian Century":
LETTERS (November 14, 2012)
The lure of Mormon romance (November 14, 2012)
The poor are still with us (November 14, 2012)
After controversial video, Catholic leaders explain relations with Islam (November 14, 2012)
CENTURY marks (November 14, 2012)
Ministers and musicians: Allies or adversaries? (November 14, 2012)
Beyond anger and blame (November 14, 2012)
Other interesting articles:
Letting Escape A Song . . . Art Songs of Judith Cloud
Journal of Singing (November 1, 2011)
PUBLIC EDITOR
The Stranger (December 14, 2011)
LA MUJER INDÍGENA CAMPESINA EN BOLIVIA Y SU OBJETIVO DE IGUALDAD. PROPUESTA DE APLICACIÓN DE UN MAPA ESTRATÉGICO BASADO EN VALORES COOPERATIVOS
REVESCO : Revista de Estudios Cooperativos (January 1, 2012)
LA EXPERIENCIA PSICOSOCIAL DE PADRES DE HIJOS CON LEUCEMIA EN UN HOSPITAL PÚBLICO DE LA CIUDAD DE SAN LUIS POTOSÍ
Psicooncología (January 1, 2012)
El gasto social como contención de la población obrera sobrante durante el kirchnerismo y el chavismo (2003-2010)/Social Spending as a Control of the Unemployed Working Class during Kirchnerism and Chavism (2003-2010)
Cuadernos de Trabajo Social (January 1, 2012)
LA CONTRIBUCIÓN DE LAS COOPERATIVAS DE AHORRO Y CRÉDITO AL DESARROLLO LOCAL EN QUERETARO, MÉXICO
REVESCO : Revista de Estudios Cooperativos (January 1, 2011)
LA REFORMA DE LA ECONOMÍA CUBANA. EVALUACIÓN DE SU POTENCIAL IMPACTO EN EL CRECIMIENTO ECONÓMICO/THE REFORM OF THE CUBAN ECONOMY. EVALUATION OF ITS POTENTIAL IMPACT ON THE ECONOMIC GROWTH
Papeles de Europa (January 1, 2012)
Publication: The Christian CenturyAuthor: Carlozo, Louis R
Date published: May 3, 2011
The Fakeout, the Tease and the Breather
By Canasta
(self-released)
It takes guts to kick off an album with a seven-minute track, but Canasta rewards the listener who hangs in there. "Becoming You" unfolds with patient pop majesty, recalling Belle & Sebastian or the Decemberists as it evokes a warm spring morning shaking off the frost. Sometimes the band's slow burn boils over in thrilling fashion, as in "I Don't Know Where I Was Going with This," which gathers polyrhythmic keyboards, violin and guitar arpeggios into a momentous baroque gallop.
